Another gem of a novel from a talented writer.
A sheltered girl must brave the evils of the world to save her family in Parry’s latest fantasy adventure.
Biddy has only ever known the magical island of Hy-Brasil, where she lives in a crumbling castle. Hy-Brasil is hidden by ancient magic, so it’s the perfect home for Biddy and her eccentric guardian, Rowan, a magician who won’t tell Biddy exactly why he needs to hide out on a secret island. Rowan and his familiar, a rabbit spirit named Hutchincroft, have provided Biddy with a wonderful, loving home, but as Biddy nears her 17th birthday she starts to feel some growing pains. Why is Rowan so resistant to letting her go to the mainland? What does Rowan do on his mysterious nightly trips off the island? And is Rowan’s story about Biddy washing up on shore as an infant even true? When Rowan can no longer shield Biddy from the truth about his dangerous enemies. Biddy realizes that in getting her wish to leave Hy-Brasil, she may be in for more than she bargained for. Parry's greatest gift as a fantasy author isn’t her ability to create magic systems that are both easily understandable and also detailed and immersive. Nor is it her knack for settings, as in the delightful and whimsical images of Hy-Brasil. Instead, it is how she takes those worldbuilding skills and uses them in service of deeply felt characters. As Biddy fights to help Rowan battle his enemies, she learns how people and problems are always more complex than they seem but that courage and a good heart will always win the day. What more can you ask for from a coming-of-age story?
Another gem of a novel from a talented writer.Pub Date: Feb. 28, 2023
ISBN: 9780316383707
Page Count: 400
Publisher: Redhook/Orbit
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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