Love is a battlefield in this engaging wartime tale.
A warrior gives up everything for love in McCollum’s latest historical romance.
This second installment of the Sons of Sinclair series picks up with the story of Joshua Sinclair, the brutal Horseman of War who was last seen heading for foreign lands to polish up his mercenary skills. After a bloody battle at South Ronaldsay, Joshua travels to Orkney Isle to train Lord Robert Stuart’s soldiers in defensive maneuvers, though Joshua is far less interested in making war than he used to be. He’s ready to head back to his home when he’s waylaid by fierce fighter Kára. She’s desperate to help her people defend themselves from Lord Robert and his men, who, Joshua learns, hunted, raped, killed, and imprisoned many of them in the past. Joshua quickly falls for Kára, but he’s hesitant to join in her fight, as he’s seen the terrible cost of combat and knows that the Orkney inhabitants don’t stand a chance against the men he helped to train. But Kára’s persistence and her people’s desperate plight convince him to help; he lobbies for a way to avoid an all-out war, but a murder and a kidnapping alter his plans. McCollum’s lengthy novel wastes no time jumping into a romance. Joshua and Kára kick their relationship off with a steamy sex scene early on, and the story’s pace never slows down. Joshua is a very attractive Scottish warrior, complete with bulging muscles and a soft side (he’s great with kids), but he’s also rather complicated. It’s a nice twist to see the Horseman of War seek out alternatives to violence, and it’s always lovely to see a swordswoman who’s fully capable of extracting herself from danger. A clever trick and other unexpected events precede the ending, which ties things up nicely.
Love is a battlefield in this engaging wartime tale.Pub Date: April 27, 2021
ISBN: 978-1-68281-570-0
Page Count: 400
Publisher: Entangled: Amara
Review Posted Online: April 8, 2021
Kirkus Reviews Issue: June 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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