A slow-burn romance showcases characters trying to become the best versions of themselves.
A playboy fisherman learns he can be more than just a pretty face.
Fox Thornton is a king crab fisherman and the resident Casanova of the small coastal town of Westport, Washington. He’s the life of the party and has convinced everyone—even himself—that he’s not capable of anything more. Imagine his surprise when he strikes up a friendship with Hannah Bellinger. They bonded over a shared love of music when her sister fell in love with his best friend, and Hannah and Fox continue their friendship via text after she returned to Los Angeles, where she works as a production assistant. Hannah doesn’t even think of Fox as a romantic possibility: He’s unbelievably handsome and effortlessly self-confident, while she often feels like a supporting actress in her own life. When the film she’s working on begins shooting on location in Westport, Hannah crashes at Fox’s apartment. It seems harmless enough—she fancies herself in love with a co-worker, and she can’t imagine Fox would ever see her as anything but a friend. Living in close quarters ratchets up the emotional intimacy and sexual tension, leaving Fox and Hannah to each question long-held assumptions about their own worthiness as romantic partners. Fox has never had anyone that values him for who he is rather than how he looks, and the major arc of the novel is his journey to accepting that he has value beyond being handsome and charming. It’s an unflinching look at how toxic masculinity harms men, for Fox must unpack the weight of cultural norms and expectations he’s been internalizing since childhood. The romance between Hannah and Fox unfolds slowly, with side plots that keep the reader entertained while the main characters do the hard work of figuring out how to be together.
A slow-burn romance showcases characters trying to become the best versions of themselves.Pub Date: March 1, 2022
ISBN: 978-0-06-304569-9
Page Count: 400
Publisher: Avon/HarperCollins
Review Posted Online: Nov. 16, 2021
Kirkus Reviews Issue: Dec. 1, 2021
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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