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CITY ON FIRE

Plenty of pain for the characters, plenty of thrills for the reader.

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A blistering novel filled with anger and bite.

Danny Ryan is a dockworker in Providence, Rhode Island, who’s “faithful like a dog” to his wife, Terri, of the rival Murphy clan, and sometimes does some less-than-legal errands for his father-in-law, John. He wants more out of his life and wants to “not owe nobody nothing,” but nobody ever leaves Dogtown. One day at the beach, he sees “the goddess who came out of the sea” and who “has a voice like sex.” Terri's brother Liam Murphy accidentally-on-purpose touches the woman’s breast, which sets off a chain reaction of events in which bullets fly and f-bombs and their ilk swarm like cicadas on nearly every page. You know, you just don’t touch a made guy’s woman, and the goddess is going out with Paulie Moretti. The Providence press gleefully reports the other-side-of-the-tracks bloodletting among men who supplement their wages with hijacking trucks and boosting heroin. So Danny wants out with his wife and son, but—well, it’s complicated. Chances are they’ll have to live and die in Dogtown. And, oh yeah, Danny loathes his rich mother, who tries so hard to make amends for abandoning him. The characters are as vividly described as some of them are vile: One guy “never met a job he couldn’t lose.” John Murphy is “the king of an empire that died a long time ago. The light of a long-dead star.” At the ocean, Danny observes that the “whitecaps look like the beards of sad old men.” A Murphy declares, “That Ryan blood….It’s cursed.” But the Murphy blood isn’t exactly touched by angels either. And then there are the Morettis, all of them trapped in a cycle of crime and violence, just looking for an excuse to go to war. One difference between Danny and some of the others is he’s never killed anybody. Yet. Meanwhile, a planned heist might just solve some financial problems for whoever survives all the betrayals.

Plenty of pain for the characters, plenty of thrills for the reader.

Pub Date: April 26, 2022

ISBN: 978-0-06-285119-2

Page Count: 368

Publisher: Morrow/HarperCollins

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

NONE OF THIS IS TRUE

It's hard to read but hard to look away from.

When two women who share a birthday meet, a journalist becomes the subject of her own true-crime mystery.

On their 45th birthdays, Josie Fair and Alix Summer meet at a pub and discover they were born not only on the same day, but in the same hospital. Alix is a successful journalist, and Josie convinces Alix that her story is worth telling: Josie met her husband when she was 13 and he was 40. “I can see that maybe I was being used, that maybe I was even being groomed?” she confesses to Alix. “But that feeling of being powerful, right at the start, when I was still in control. I miss that sometimes. I really do. And what I’d like, more than anything, is to get it back.” From this premise Alix creates a Netflix series, Hi! I’m Your Birthday Twin! which investigates Josie’s life as she reconciles what happened to her as a teen and seeks a new path. With the story unfinished, the narrative unfolds in the present tense, with prose that jingles like song lyrics: “He turns to see if the girl is behind him, and sees her wishy-washy, wavy-wavy, in double vision through the glass windows of the hotel.” Alix is both intrigued and repulsed by Josie, but she initially gives her the benefit of the doubt. After all, Alix’s husband, Nathan, has a drinking problem, and Alix knows what it’s like to be reluctant to leave a bad situation. But Josie seems more interested in being part of Alix’s seemingly glamorous life than she is in fixing her own, and when three people end up dead and Alix’s life is turned upside down, the evidence points to Josie—and turns the TV series into a murder mystery. Transcripts from Alix’s interviews alternate with the narrative, offering increasingly varied perspectives on Josie’s story as told by her neighbors, friends, and family members. With so many versions of events, the ending shatters, leaving readers to decide whose is the truth.

It's hard to read but hard to look away from.

Pub Date: Aug. 8, 2023

ISBN: 9781982179007

Page Count: 384

Publisher: Atria

Review Posted Online: May 24, 2023

Kirkus Reviews Issue: June 15, 2023

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