THE PERILOUS ADVENTURES OF THE COWBOY KING

A NOVEL OF TEDDY ROOSEVELT AND HIS TIMES

Charyn makes artful use of historical fact and fiction’s panache to capture the man before he became one of the great U.S....

A rendering of Teddy Roosevelt’s early life that spotlights formative moments in colorful, entertaining episodes.

The young boy saw a werewolf near his bed at night when an asthma attack came on. As Teddy narrates, his father would order up “the Roosevelt high phaeton with its pair of long-tailed horses” and let the wind fill Teddy’s lungs in thrilling rides on the “scorched plains of Manhattan’s Upper West Side.” He was the youngest man in the state Assembly, where he says he wore “a pince-nez with a gold tassel, and a peacoat from my Harvard days.” When he lost his mother and wife within hours of each other, he fled west, to Dakota territory, “with silver stirrups, a tailored buckskin suit, and a Bowie knife from Tiffany’s.” But he’s pulled back to New York, where he becomes a police commissioner fiercely disliked for his blue laws and anti-corruption drive. He’s rescued from a melee at the Social Reform Club by his new squad of bicycle cops, whose leader will join him in Cuba. Before Charyn (Jerzy, 2017, etc.) ends with President William McKinley’s assassination, he gives the Rough Riders a big slice of the book not just for TR’s famous hill charge, but for the reluctant leader who could scrounge for his troops and suffer whatever the men suffered—though he also had a tent from Abercrombie & Fitch. The prolific Charyn has written scripts for graphic books. With TR, there’s a sense of the outsize characters of 19th-century dime novels, though without the hagiography. Roosevelt embodied contradictions—a privileged reformist, a cowpoke from Manhattan, an honest politician—and his private life was riddled by strife and loss.

Charyn makes artful use of historical fact and fiction’s panache to capture the man before he became one of the great U.S. presidents and a face on Mount Rushmore.

Pub Date: Jan. 8, 2019

ISBN: 978-1-63149-387-4

Page Count: 320

Publisher: Norton

Review Posted Online: Oct. 1, 2018

Kirkus Reviews Issue: Oct. 15, 2018

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 27


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2018


  • New York Times Bestseller

CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

Awards & Accolades

Likes

  • Readers Vote
  • 27


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2018


  • New York Times Bestseller

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

Awards & Accolades

Likes

  • Readers Vote
  • 21


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2016


  • Kirkus Prize
  • Kirkus Prize
    finalist


  • New York Times Bestseller

A GENTLEMAN IN MOSCOW

A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...

Awards & Accolades

Likes

  • Readers Vote
  • 21


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2016


  • Kirkus Prize
  • Kirkus Prize
    finalist


  • New York Times Bestseller

Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.

Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.

A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility (2011).

Pub Date: Sept. 6, 2016

ISBN: 978-0-670-02619-7

Page Count: 480

Publisher: Viking

Review Posted Online: June 20, 2016

Kirkus Reviews Issue: July 1, 2016

Close Quickview